The Evolution of Mixtapes

Written by Barbie Bardot. Posted in Mixtapes

Published on January 12, 2010 with 20 Comments">20 Comments

2009 was the year of mixtapes. Never before has hip hop seen so many outstanding mixtapes in both quantity and quality (lyrics, beat selection and production). You need to fully understand the evolution of mixtapes to fully comprehend what I mean. During the early days of mixtapes, they were just various songs by multiple artists, compiled to gain recognition for the DJ and to break new music. Nowadays, a mixtape is done by an artist to keep the fans’ fickle attention, to throw them freestyles, snippets of songs to come, and full length songs to both whet the fans musical appetites and to keep the name of the artist buzzing.

However, last year, mixtapes evolved further.

Artists were trying to do more than whet a fan’s appetite, they were attempting to fill up a stomach with quality music, more often than not succeeding. From Drake to J. Cole, to Wale to Lupe Fiasco, to Big Sean to Young Jeezy, to Nicki Minaj and even r&b singer Trey Songz, artists were putting out mixtapes that rivaled and surpassed the quality of actual albums that were released in 2009.

Case in point, Drake’s So Far Gone. The buzz around this mixtape was enormous before it dropped and when it finally did, Drake’s stock rose in the music world due to its quality. Never before had a mixtape been so thoroughly sequenced, put together and concise as his tape was. From beginning to end, from his lyrics to content to his choice of features to beats. Drake put together a solid tape that was better in all the aforementioned ways than the majority of albums put out in 2009. To show how great his project actually was, it was the 1st mixtape ever to be nominated for a Grammy. (insert a corny “Best I Ever Had” joke here..) However, to be fair, Drake wasnt the only one to put out an excellent mixtape in 09.


J. Cole’s The Warm Up is definitely in that category, and not only inserted his name into the collective of rap fans that didn’t know him before, but also sparked an endless debate of who was better – Drake, Wale or J. Cole, which was very reminiscent of and sparked as much debate as the Nas, Biggie or Hov question in the 90s. Nicki Minaj started her own revolution (or cult, depending on who you are asking) of Barbies and Kens with her Beam Me Up Scotty mixtape. She made a splash with that tape, and love her or dislike her, she seems to be poised to take the throne of women in hip hop. Lupe Fiasco put out Enemy of the State which made every current and aspiring rapper want to step up their game lyrically, and also introduced him to a new legion of fans. Lil Wayne, 50 Cent and Young Jeezy held onto their fans with their respective mixtapes, giving the fans the music they wanted to hear, and missed from these artists.


There were even 2 examples of artists mixtapes that were better than their own actual albums. Both Wale and Trey Songz put out acclaimed mixtapes with Back to the Feature and Ready respectively. However, while these mixtapes created huge buzz for both the artists and their projects to come later in the year, their albums didnt match up the hype they created with their tapes.. (This is not to say that there were not stand out tracks on both..) Wale’s Attention Deficit seemed like a watered down version of himself and his skills, while Trey Songz’ song selection failed to match the depth and the quality of the material on his mixtape. In both of these cases, it seemed that it would have been much better if the artists has put out their mixtapes as their albums, and skipped the actual album completely.


Indeed, there were too many mixtapes put out this year that deserve accolades. Pac Div’s Church League Champions, Big Sean’s UKNOWBIGSEAN, and Fashawn & Alchemist’s The Antidote all deserve praise and a spin if you haven’t already heard of them. There’s no doubt that the quality of mixtapes greatly surpassed those of actual albums last year, so here’s hoping that artists take note of that fact and step it up for 2010. Because really, what fun is it if hip-hop excels in mixtapes and loses with actual albums?

*Raises a glass* Here’s to 2010. Hopefully a new year and a decade of both quality mixtapes AND albums.

[Follow Black Barbie on Twitter]

TRU

Barbie Bardot

Barbie Bardot is a writer of, and lover of, hip hop music & its culture, fashion, food and football. She currently resides in Brooklyn, NY, where for fun, she routinely walks in front of annoying tourists pictures, becoming the brown blur they can never identify. She runs www.itsbarbiebitch.com and is currently plotting ways to take over the world, a la Pinky and the Brain.

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  • ATI

    Nice write-up, though I tend to disagree with the now common assessment that Trey and Wale’s mixtapes were superior to their albums. “Ready,” in particular, aside from a few obvious cross-over attempts, was a pretty damn good album imo.

  • ATI

    Nice write-up, though I tend to disagree with the now common assessment that Trey and Wale’s mixtapes were superior to their albums. “Ready,” in particular, aside from a few obvious cross-over attempts, was a pretty damn good album imo.

  • Nahshon

    This was my read of the day. I wanna make some jokes about how the internet can’t stop giving lipservice in praise of Drake but I don’t wanna be sexist (I just wanna be successful).

    Also, I love how consistently I disagree with ATI. As much as I wanna hate you, I really can’t because its not a crime to like whatever happens to be hot (aka Trey Songs and Drake)

  • Nahshon

    This was my read of the day. I wanna make some jokes about how the internet can’t stop giving lipservice in praise of Drake but I don’t wanna be sexist (I just wanna be successful).

    Also, I love how consistently I disagree with ATI. As much as I wanna hate you, I really can’t because its not a crime to like whatever happens to be hot (aka Trey Songs and Drake)

  • ATI

    Accidentally fall off a cliff, bro.

    o_O

  • ATI

    Accidentally fall off a cliff, bro.

    o_O

  • buzwe

    i think i’ve been sleeping on J COle then huh? Errbody seems to be loving his stuff. Its just that there are too many “rappers” out there for me to give an honest listen to each but i will make time for J Cole. Nice one Rizoh.

  • buzwe

    i think i’ve been sleeping on J COle then huh? Errbody seems to be loving his stuff. Its just that there are too many “rappers” out there for me to give an honest listen to each but i will make time for J Cole. Nice one Rizoh.

  • http://michiganhiphop.com William (MichiganHipHop.com)

    This is a very, very accurate article. I’ve been saying the same thing all year. I feel bad, because it seems like it’s taking away from the opportunity for these artists to make loot off of their actual product (unless you take the Minaj route, of making your mixtape a sold release from the gate). But high quality music is almost always a win

  • http://michiganhiphop.com William (MichiganHipHop.com)

    This is a very, very accurate article. I’ve been saying the same thing all year. I feel bad, because it seems like it’s taking away from the opportunity for these artists to make loot off of their actual product (unless you take the Minaj route, of making your mixtape a sold release from the gate). But high quality music is almost always a win

  • http://thisisdogbiscuit.blogspot.com Dogbiscuit

    Thought I was the only one who actually heard UKNOWBIGSEAN, everybody else was sleeping on it. What ’bout Joell Ortiz Covers The Classics or that J Period/K’Naan mixtape? They were bloody good, to say the least(JOCTC murdered Slaughterhouse sonically)

  • http://thisisdogbiscuit.blogspot.com Dogbiscuit

    Thought I was the only one who actually heard UKNOWBIGSEAN, everybody else was sleeping on it. What ’bout Joell Ortiz Covers The Classics or that J Period/K’Naan mixtape? They were bloody good, to say the least(JOCTC murdered Slaughterhouse sonically)

  • J to the AAP

    Good piece C. It’s an intersting phenomenon that a mixtape is received better than an actual album, and I expect it will occur more and more in 2010. Artists have total creative control over their official mixtapes, something that especially newcomers often lack in the record industry. That might mean a talented new artist has a bigger chance of delivering a great tape than a great album.

    It also means major labels have outlived their usefulness to many artists. Upload the tape, sell the shirts, work on your live performance and sell those tickets, screw a record deal.

  • J to the AAP

    Good piece C. It’s an intersting phenomenon that a mixtape is received better than an actual album, and I expect it will occur more and more in 2010. Artists have total creative control over their official mixtapes, something that especially newcomers often lack in the record industry. That might mean a talented new artist has a bigger chance of delivering a great tape than a great album.

    It also means major labels have outlived their usefulness to many artists. Upload the tape, sell the shirts, work on your live performance and sell those tickets, screw a record deal.

  • M.L.T

    i have one coming…realest stuff u’ll ever hear.nt ghetto gangbanger real lol bt u’ll see

  • M.L.T

    i have one coming…realest stuff u’ll ever hear.nt ghetto gangbanger real lol bt u’ll see

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  • Ben6

    Same for Busta Rhymes, I bullshit you not is >>>>>>>>>>>>>> than back on my bullshit

  • Ben6

    Same for Busta Rhymes, I bullshit you not is >>>>>>>>>>>>>> than back on my bullshit

  • Pazas

    Great read. The title had me expecting some long history type of thing, starting with home cassettes and all that, but this was interesting.

    It’s blasphemy to make this without mentioning Freddie Gibbs though. The Miseducation of Freddie Gibbs was one of the best releases in ’09. (I know everybody’s heaping love on MIDWESTGANGSTABOXFRAMECADILLACMUZIK, but Miseducation is where it’s at.)

  • Pazas

    Great read. The title had me expecting some long history type of thing, starting with home cassettes and all that, but this was interesting.

    It’s blasphemy to make this without mentioning Freddie Gibbs though. The Miseducation of Freddie Gibbs was one of the best releases in ’09. (I know everybody’s heaping love on MIDWESTGANGSTABOXFRAMECADILLACMUZIK, but Miseducation is where it’s at.)

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